Released 13 May 2011 Length 1: 06: 00 chronology Human Remains (2011) Curse and Chapter (2013) Human Remains is the first studio album by the UK heavy metal band, released on Friday 13 May 2011. The album contains re-recorded versions of songs originally performed by the band during the period 1982–1986, with minor arrangement changes and updates, along with the addition of new keyboard, orchestral, choral and soundscape parts added by Kev Bower. The album was pieced together over a 3-year period principally as a 'hobby project' during occasional periods of downtime at 's Backstage Studios, a converted 300-year-old dairy farm in, England. Sneap funded the entire project out of his own pocket and has been instrumental in the band's resurrection. The recordings were completed with neither hope nor aspirations of any outcome, and the original intention was to produce just a few CDR copies for the bandmembers, close friends and family.
The finished product, however, reached the attention of, and subsequently attracted bids from five record labels, with the band eventually signing to. The album entered the national charts in Germany and several Scandinavian countries upon its release. It received countless positive reviews and a substantial number of accolades, including '2011 Album of the Year' in Sweden Rock Magazine. It also made the No. 1 position for a 2011 UK album in 'Metal Hammer' (UK), along with featuring in the top 3 of 2011 for several European journals including 'Aardschok' (NL) and 'Rock Hard' (DE). The album also achieved the '2011 Album of the Year' on a substantial number of independent websites, rock forums and similar.
Download Rating: 4.5, Quality: Good [Open Source] Hell Quest v1.0.rar: This website provides a free file hosting service for blogs and forums. Join Johnny Gat & Kinzie Kensington as you tear apart Hell in a quest to save the Boss' soul. Historical icons, old friends, older enemies, a talking gun, a full.
The album's title is a wordplay, with obvious and immediate connotations of carcasses being turned upside down with the final lyric of 'No Martyr's Cage', the album's closing track. Several tracks featured the voice of former frontman Dave Halliday, with Andy Sneap going to great lengths to lift his voice from old cassette recordings so that he could be incorporated and his memory suitably honoured. Sneap and the rest of the bandmembers also went to similar lengths (along with substantial legal and probate costs) to ensure that the album performance and compositional royalties were split six ways instead of five, with Halliday's share going to his surviving family - this process continues to this day, with Halliday's royalties continuing to be paid for live performance and radio airplay of songs to which he contributed writing credits.
The album also ended up with a running time of 66 minutes and 6 seconds, and a file download size of 666MB. This was completely accidental and unintentional. The album also runs non-stop, with track gaps between the songs being filled by a series of musical interludes, introductions and soundscapes. The album's artwork, painted by Dan Goldsworthy, also received critical acclaim. Although ostensibly dark and demonic in appearance and execution, it contains a whole series of jokes, 'tips of the hat' and various other tongue-in-cheek references to moments throughout the band's history.
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These include; • Former frontman Dave Halliday's face superimposed in the sky above the fallen angel on the front cover. • Dave Halliday's face similarly appears in the flames leaping from Andy Sneap's hand on his internal booklet picture. • On the internal booklet picture of bassist Tony Speakman's lunatic prison cell wall, there is an poster – a humorous nod to Speakman's appearance in a British TV commercial for this product several years earlier. • The lower rear outside cover contains a list of equipment endorsers. The Oxo logo makes a second appearance in this list. • The introduction soundscape to 'The Quest' features guitarist/keyboard player Kev Bower doing a low-level background impression of veteran British TV actor performing a voiceover from an '80's UK TV advert for bread. The band used to perform a modified version of this as a song introduction to 'Bedtime' during live performances.